![]() "I'm not saying it's right because it's important to respect the coach, but I just wanted to play hockey. "I spoke out because I thought it was necessary. "I was angry and I said some things I probably shouldn't have said," Richard said in a 2009 interview. Feeling insulted and unhappy with the atmosphere on the team, Richard blasted the coach in public, calling MacNeil "incompetent." He had been left out of the lineup for Game 5 of the final by coach Al MacNeil. He called that the most memorable of his career because of the controversial circumstances. Twice Richard scored the Cup-winning goal, first in 1966 and again in 1971 for his 10th Cup. I wouldn't have said it before, but now that it's all over, I thought winning like that was normal." "Some people say it was destiny, but I just think I was in the right place at the right time. ![]() Maurice used to say that if I hadn't been there, he wouldn't have played that long," Richard told the Hockey Hall of Fame. "Because of the age difference, I didn't think it would be possible but I played with my brother for five years (1955-1960). Besides the Canadiens' junior team, he never played for another team during his career. He is assigned American Lieutenant Catherine Gates (Ann Sheridan) as his chauffeur, much to their mutual discomfort. On top of it all, Richard was loyal to a fault. In Heidelberg in post-World War II Allied-occupied Germany, French Army Captain Henri Rochard (Grant) is tasked with recruiting highly skilled lens-maker, Schindler (Martin Miller). He succeeded Béliveau as the Habs' captain in 1971. He shared the ice with many of the Canadiens' most legendary players: Jean Béliveau, Jacques Plante, Bernie "Boom Boom" Geoffrion and Dickie Moore. Henri Richard hugs the Stanley Cup after the team's win over Detroit in 1966. Creation/Production Credits Note: Cinematographers, Osmond Borradaile, Norbert Brodine art directors, Albert Hogsett. He was the ninth player in the NHL to achieve 1,000 points, which he did in 1973. A 1949 Screwball Comedy directed by Howard Hawks, starring Cary Grant and Ann Sheridan. Richard wore his number 16 for 20 seasons with the Montreal Canadiens until his retirement in 1975, two more seasons than his brother, who died in 2000. There are too many teams now and the best players are too spread out." "No one's going to break that record, it's impossible," Richard said of his Stanley Cup rings. "A lot of people said I wouldn't make it in the NHL," Richard told the Hockey Hall of Fame in 2003.īut as time went on, and as Richard went on to help the Habs win 11 NHL championships, it was clear there was more to him than what met the eye. When the shorter, younger brother joined the Canadiens in the 1955-56 season, it was at first dismissed as a publicity stunt. 29, 1936, Richard spent his youth on many of the same skating rinks as his brother, who went on to become one of the most famous Habs to grace the Montreal Forum's ice. Duration 1:01 Henri Richard left a legacy on the game that included a record 11 Stanley Cups.īorn Feb. A modern source records the title of Rochard's story. Télécharger ou lisez le livre Les secrets perdus de lacupuncture ayurvédique : Manuel dacupuncture ayurvédique de Han au format PDF et EPU. A condensed version of the story appeared in the November 1947 issue of Reader's Digest, retitled I Was a Male War Bride. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to. Charlier, first published his story, then entitled 'Male War Bride Trial to Army,' in the Baltimore Sun on September 28, 1947. ![]() If you would like to reproduce text from a MoMA publication, please email. I Was a Male War Bride is a romantic screwball comedy film made in 1949, directed by Howard Hawks and starring Cary Grant and Ann Sheridan. For more information about film loans and our Circulating Film and Video Library, please visit. Henri Richard Bio He is hockey's most heralded little brother, an outsized talent in an undersized body, a man whose stick might as well have been a wand for all the tricks he could do with it. For access to motion picture film stills for research purposes, please contact the Film Study Center at. Motion picture film stills cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
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